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Measures: 20 - 35
Participation: 80%-99%
Unique Accidentals: > 4
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edward.maurath
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
HWV61A1N4 - The fate of babylon, Belshazzar, Nitrocris, 1744
edward.maurath
1:18 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 13 14 6 3 91%
Bass 17 16 6 3 100%
Cello Bass 15 0 3 3 100%
NITOCRIS 13 0 4 5 65%
Daniel 11 0 3 3 35%
 
HWV58A2N17 - Jupiter, "Where 'er you walk" in B-Flat Major
edward.maurath
2:57 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Continuo Treble 19 54 6 6 100%
Bass 22 6 6 3 100%
Cello Bass 20 0 5 3 100%
Kontrebaß Bass 20 0 5 2 89%
Violas 18 0 4 4 85%
Vln
1		 Treble 22 0 6 6 85%
Vln
2		 Treble 20 0 6 3 85%
Tenor
as Jupiter		 12 0 3 7 78%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)
edward.maurath
2:01 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
Violoncello Bass 24 0 7 6 100%
Rinaldo 14 0 4 8 92%
 
HWV1A2N16vEJM, "No, no, non voglio" (Almira)
edward.maurath
1:41 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
Harpsichord Treble 17 36 5 4 98%
Bass 24 29 7 4 100%
Violoncello Bass 20 0 6 4 100%
Almira 14 0 6 4 88%
 
"Prestami un solo dardo," from act 2 of Handel's 'Rodrigo,' HWV 5 (1707)
edward.maurath
4:25 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Harp (Continuo) Treble 22 28 10 6 89%
Bass 26 39 9 8 100%
Violoncello (Continuo) Bass 25 0 8 7 100%
Evaneo 15 0 5 6 97%
 
"Col tuo piede brilla amor" from "Il Pastor Fido," HWV 8 (3rd version)
edward.maurath
0:42 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 3 100%
Harpsichord Treble 28 28 10 8 84%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 3 100%
Harpsichord Treble 28 28 10 8 84%
Bass 15 0 4 3 71%
Harp Treble 25 25 7 8 83%
Bass 16 1 5 3 71%
Apollo 12 0 4 6 71%
Erato 14 0 3 8 71%
 
"Fatto crudo, Amor severo" from Il Pastor Fido, HWV 8 (1712)
edward.maurath
2:57 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 97 10 8 100%
Bass 26 62 6 7 100%
Violoncello Bass 22 1 4 7 100%
Mirtillo 15 0 5 8 85%
 
HWV56N05Y1742 - Mesiah - Thus saith the Lord
edward.maurath
1:40 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 3 4 94%
Cello Bass 18 0 4 3 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso Bass 13 0 3 4 94%
Cello Bass 18 0 4 3 94%
Viola 10 0 0 3 94%
Violin
I		 Treble 14 0 2 3 94%
Violin
II		 Treble 13 0 3 3 94%
Violone Bass 18 0 4 3 94%
BC
LH		 Bass 18 20 5 5 90%
BC
RH		 Treble 16 18 5 4 61%
 
HWV56N10 Behold, darkness shall cover the earth
edward.maurath
2:47 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 42 11 4 96%
Bass 16 4 6 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 42 11 4 96%
Bass 16 4 6 4 100%
Cello Bass 14 0 4 4 100%
Viola 16 0 5 4 100%
Violin
I		 Treble 17 0 5 5 100%
Violoncello Continuo Bass 14 0 4 4 100%
Violone Bass 14 0 4 4 100%
Violin
II		 Treble 18 0 6 4 96%
Bass Bass 14 0 3 8 83%
 
"Cor ingrato, ti rammembri," from "Rinaldo," HWV 7 (1731)
edward.maurath
1:58 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 23 42 6 7 96%
Bass 24 27 5 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 23 42 6 7 96%
Bass 24 27 5 6 100%
Cello Bass 23 0 5 6 100%
Rinaldo 14 0 3 6 92%
 
"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)
edward.maurath
2:20 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Harpsichord Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Celli Bass 16 0 5 4 100%
Continuo Bass 16 0 5 4 100%
Contrabasses Bass 15 0 5 4 100%
Violas 14 0 5 4 100%
Vln
1		 Treble 14 0 5 6 100%
Vln
2		 Treble 14 0 4 6 100%
Cesare 15 0 6 4 83%
 
HWV56N05Y1741 - Messiah - Thus saith the Lord
edward.maurath
1:39 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 18 0 4 7 94%
Contrabass Bass 18 0 4 7 94%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 18 0 4 7 94%
Contrabass Bass 18 0 4 7 94%
Viola 10 0 0 5 94%
Violin
I		 Treble 16 0 3 7 94%
Violin
II		 Treble 13 0 3 5 94%
Harpsichord Treble 21 33 6 7 85%
Bass 18 18 5 7 91%
Basso Bass 13 0 3 6 88%